Whitney Houston's funeral shows off
passion and authenticity of Black church
passion and authenticity of Black church
Watching Whitney Houston's funeral with fellow guests in the lounge of New York's Manhattan Club doubled my enthusiasm for visiting Harlem's oldest Black church the following day. I figured that CNN anchor Piers Morgan’s amazement at the music, passion, laughter, and authenticity of a Black service would double the crowds at Abyssinian Baptist Church, which normally has strict crowd control for "tourists."
Inside Abyssinian |
We passed 500 tourists in line, put a knowing look on our faces, and slipped in a side door--led by my husband's intrepid ex-wife Chan, who is Black and had attended Abyssinian occasionally when she lived in New York.
I am used to being the only white face in a Black church because of my life-changing encounter with the pastor of Highview Christian Fellowship, as told in The Bishop and the Seeker. But my family got more than we bargained for as we found ourselves down a rabbit hole of winding hallways that led first into the children's program, then into the kitchen, and then into the line for the handicapped elevator. I kept trying to blend in behind Chan, but the wheelchairs just kept coming. So we slipped around one more hallway to find an alcove where members appeared to be waiting for the early service to let out. As the doors finally opened, the choir came out, making me suddenly afraid we were about to walk out into the choir box. In fact it was the main floor of the church, and the usher led Chan down to the third row center--probably a VIP row, surrounded by the white-hatted deaconesses. The Rev. Calvin Butts asked visitors to stand, and several of the deaconesses turned and greeted us warmly. But I think I was still blushing when the service ended two hours later. Here's what the famous Reverend said about the Whitney Houston funeral.
One funeral among many
Rev. Calvin Butts |
The REAL contribution of the Black Church?
After polished traditional hymns, the sermon itself was on "narrow is the gate," with calls for social justice via both personal and political action.
After polished traditional hymns, the sermon itself was on "narrow is the gate," with calls for social justice via both personal and political action.
Tara Murphy's sacred African dance |
Her daughter Tara Murphy, who leads a troupe for sacred African dance, said that ecstatic expression is key for all of us to connect with the Divine. (Tara had an ecstatic moment herself when one of her heroes, Judith Jamison of Alvin Ailey Dance Company, was presented as a new member during the service.) Tara's husband Chris said that modern life seduces us to believe that "progress" can solve everything. But humans need the meditative, mind clearing effect of ecstatic states--and if we don't get it in a context of sacred community, we'll seek it via intoxication with drugs, power, or possessions. "All of you are right," I said. These values are polarities; they appear to be opposites, but each can be served in its time and place.
Go Ahead, Visit a Black Church
Me at Abyssinian's front door |